These Mathetai “assemblings” for worship, which in their inward-facing spirals of folding chairs or pillows, as I’ve described, can spring up in any basement or amphitheater in a moment, are not in any way planned, yet they follow a certain organization all the same. This is because each worshiper waits his or her turn to offer worship, and because what each offers can only be of several specific modes.
Any Mathetes or novice at any time during the service can offer a prayer or call for a hymn, and any Mathetes can offer an exhortation of the company or of the world (which they call a prophecy) or an exposition of a passage of Gospel or some other book (which they call a teaching).
The company sits in silence until one of their members delivers one of the above-listed modes of worship, after which they again observe a substantial period of silence until another of their members makes a voluntary choice. Continuing in this fashion, some services last for a half-hour, others for days.
Particularly notable are the hymns, made of music which I have never heard anything like in my life. The basic hymn is a pleasing and repetitive chant, to the rhythm of which worshipers often clap or leap in unison. Among this as counterpoint, or, in many cases, between this as response, some of the more-gifted worshipers sing intricate and ecstatic tunes in the Greek modes. Adding to the effect is a bass instrument of some description — I have never been to a service where there was not at least a bass guitar, although I have also heard bass viols, bass recorders, and even a tuba — which plays nothing but a basso continuo through the whole hymn. At times, if an Assembling is blessed with musical charismata, they will also produce other instruments among the worshipers, the most common of which are various brass instruments or electric guitar, which are played rather as punctuation than accompaniment — as a sort of blast of musical amens. Lyrics are in Greek, which adds to the amazement of we outside observers — but I once stayed some weeks with an Assembling in whose hymns all lyrics were a touchingly pellucid English, translated by one of their own.
At the close of every service of worship (which comes after an unusual length of silence, as one would guess, and is signaled by two Olders shaking hands), several loaves of flat bread and bottles of wine are produced, which the Mathetai take up in their hands and tear and pour to offer each other, while reciting in Greek the famous “Take, eat; this is my body” passage of St. John. They also kiss each other, moving among the company to greet all. Whether from exhaustion from their energetic worship, or from brotherly or other emotion, I do not know, but before this ceremony is done, most of the company usually is audibly in tears.
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